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But I got into the process of doing that and I got used to that, following him really close every time he dropped it. Maybe we should play this Prodigy record to give people an idea of what you were listening to at the time. He was putting out so much stuff, just out there, really crazy stuff. I used to use samplers and hardware stuff, but right now, I just use the laptop. I forget the name of it. Is that exciting? Just to get a variety of different stuff, just a challenge finding new stuff I had never heard. Actually, he kinda just shouted me out on Twitter. Did you feel like you could start doing different things production-wise? I never sent it to him and I was sending him a bunch of stuff before that. Right now I just use software. I was doing it a long time just on my own just to show my friends and listen to myself, but I started about four years ago actually trying to get it out. Then he started doing stuff on his own, putting solo stuff out on MySpace and started doing really crazy stuff. For the past probably couple of years, just software and a laptop. My friend sent me another one of her songs. I just always liked that beat. They were doing straight, uptempo, really fast stuff, kinda like hyphy. What is he doing? And you actually ended up producing a track for Havoc and Mobb Deep. I liked the stuff he did before a lot. How do you feel about that? I started hearing them around five years ago. Everybody give it up for Clams Casino. Is that frustrating that you make this beat and it just stops being yours? What is this? Yeah, it is a little bit. Yeah, every song I did with Lil B. I think some of his boys showed him stuff on my mixtape, an EP or something, and he liked it a lot. I can work in physical therapy if I wanted to. Yeah, that was crazy how that happened. People making remakes and stuff. That was pretty cool, a complete surprise. I just finished school this spring. So I sent it to his manager. It was just something I always liked to do. But every time I sit down, I probably start the beginning of three beats, but not finish them. Some bad things happen, some good things happen. He flipped. If I hear something, I go with it, but I try not to think about artists or who can be on top of it too much. Yeah, some of them I was surprised that some of the people flipped it and actually came pretty close. I started making beats just for fun about ten years ago when I was a freshman in high school. I used to. I made it for someone else, probably a few months before I sent it to Lil B. I had it laying around. I started listening to hip-hop when I was about 12, and then I was only listening to hip-hop. Then I sent it to him and he freaked out. Now, I guess even before you were pushing your beats that way, what was it that drew you to make music on that level? I like the quality of it, the lo-fi stuff, kind of like what I do. Yeah, the instrumental. The first stuff he was doing on my beats, just freestyling really ridiculous stuff. From there, that was all I was into. Tell us a little about your background and upbringing for those who might not know. But not most of them. Hopefully, something really good happens like that. I usually take one source.

Good afternoon. I first started listening to him when he was in a group called the Pack. Is that liberating as a producer to see someone doing such wild music?

Even before I did, there was some big song that sampled her, so people were doing it before me. Definitely, for Wu-Tang, definitely the beats 'cause Asap rocky clams casino lil bit had no idea what they were talking about.

Colors, green, stuff like that. But right now is probably a good time to pursue the music thing because asap rocky clams casino lil bit week you had some beats on the number-one album in America. Not that one. A lot of people have said that.

I was sending stuff to everybody and I sent him that beat that Havoc ended up rapping on. People were talking about it for so long.

It takes me a long time to finish them.

When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. I was just trying to see what else I could do with it. I always liked to mess around with a lot of instruments. Is that changing as your career progresses? Yet, at least. I get used to it, though, just the whole process. Like all freestyles and putting out five or six songs a day. Is that weird now that the roles are reversed? I just wanna see where I can go with it. Mostly a lot of New York stuff. He loved it and here it is. The stuff I make myself I try to sound like that. Not yet. So I usually end up making a lot of stuff out of the same sample. His name was Nyce. The main thing that I liked was the vocal sample. I usually use them. It just messes me up, so I try not to really think about that. I think was when I started going online. You mean just searching with a search engine and stuff? It seems it was an interesting time for the way hip-hop beats have exchanged hands and moved around. Right around the time I started making beats this is what I was listening to. Growing up, I played drums and stuff. After my friend told me about her, I went and looked for some on my own and found some other stuff from her. This is one of my favorite songs. Pretty hardcore gangsta rap. When you throw stuff out online, anything can happen. So he shouted me out on Twitter. Most of the people that I was working with, I would just email and stuff, so I never got in the studio with them or anything. I thought it was so funny and I kept sending him stuff and it just happened from there. But just the overall mood, the vibe of it, is kind of creepy and haunting. Were there any occasions when you had to chase down credits or chase down money?