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Stuart Maconie tries to track down Northern Soul fans seen dancing in photos of the last all-nighters at Wigan Casino in Show more.


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Tony Palmer's documentary about the venue that was the spiritual home of the northern soul dance movement. Music Documentary. Full Episode Guide.


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Stuart Maconie tries to track down Northern Soul fans seen dancing in photos of the last all-nighters at Wigan Casino in Show more.


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This England, a TV documentary about the Wigan Casino, was filmed in Russ Winstanley and Dave Nowell wrote a history of the club, Soul Survivors, The.


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Tony Palmer's documentary about the venue that was the spiritual home of the northern soul dance movement. Music Documentary. Full Episode Guide.


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Tony Palmer's documentary about the venue that was the spiritual home of the northern soul dance movement. Music Documentary. Full Episode Guide.


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Forty years of the sound of Wigan Casino. Paul Mason recalls the music that defined his youth at the Wigan Casino 'all-nighters'. Read Paul Mason's feature.


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One American film producer was so intrigued that he asked Palmer where and possibly what Wigan actually was. A thriving nostalgia industry has built up over the years around its memory, culminating in a public showing of the film last year. Published on Thu 15 Apr I n the best English tradition, it took a strongly worded letter to set the process in motion, sent to its maker by an old northern soul head despairing of the poor quality of YouTube clips.{/INSERTKEYS}{/PARAGRAPH} Even so, some purists were sniffy about the film, disliking the use of Leon Rosselson's folk songs on the soundtrack, and any shots unconnected with the scene. Palmer simply says his intention wasn't to eulogise the venue, but to illustrate the social milieu that produced it. The scene's origins, however, proved elusive. His documentary history of popular music, 's All You Need Is Love, was admired for its evenhandedness by the youthful committee that ran the club. Palmer's original commission came out of the blue. People such as the sparky Christine "Rigger" Rigby, who worked for a hospital laundry. It doesn't need a sponsor. A legal loophole meant that all-nighters were permitted as long as alcohol wasn't served, and it was conveniently placed to attract fans from a wide area. A couple of clubgoers talk at length about what the night means to them, while representatives of an older generation — uncomprehending rather than hostile — recall their own hard times. A couple of years later his name appeared on the credits of Flashdance, the tale of a blue collar girl who lives to dance. Palmer has no knowledge of what happened to her, but she will forever be young and glorious on the dancefloor because of the film. By , though, the Casino was shut for good. Wigan's status as the scene's centre was a fluke. One wonders what Christine Rigby thought. Palmer's film, originally shown on TV at peak time as part of Granada's This England strand, is a captivating time capsule, contrasting scenes of s kids striking moves to obscure 60s soul tunes with their drab surroundings. Flash dancing Wigan Casino in Steve Jelbert. Filming was no simple matter either. {PARAGRAPH}{INSERTKEYS}Twenty-three years after it exposed a mysterious northern Terpsichorean cult, inspiring proto-breakdancers to fill playgrounds across the nation, Tony Palmer's The Wigan Casino is finally available on DVD. To his surprise hundreds of people turned up, including the town council's head of cultural amenities. The stars of the film, of course, are the dancers. That's the death of it. What I experienced was mesmerising, this extraordinary dancing. When Granada television came knocking, they specifically asked for Palmer. Originally shown on peak-time ITV over 23 years ago, this time-capsule documentary about the s northern soul scene is still captivating today. Yet they also wanted to show a joyful celebration of a kind of music and dancing. If popular music has value — and it does — it's because it comes from the streets and gives people a voice. Wary of sensationalism the committee hoped for positive publicity against local authorities forever seeking to shut them down Palmer, using a cine camera with one portable light, was under orders only to film those who sought him out.